冬季的片表排出来,令人期待的更多。Coen兄弟的新片A Serious Man,Viggo主演的The Road,一堆大牌男星的The Men Who Stare at Goats,一堆大牌女星的Nine,偶像版的胡二麻斯,Peter Jackson的The Lovely Bones,Scoresese的Shutter Island⋯⋯几乎每周都有,真是看得眼花撩乱。
冬季电影
冬季电影
今年真是不少好看电影。早先的Up,The Hurt Locker,Inglorious Bastards等等。今晚看了MJ的纪录片This Is It,是伦敦演唱会排练的剪辑,真是炫到极点了!太可惜就这样走了。
冬季的片表排出来,令人期待的更多。Coen兄弟的新片A Serious Man,Viggo主演的The Road,一堆大牌男星的The Men Who Stare at Goats,一堆大牌女星的Nine,偶像版的胡二麻斯,Peter Jackson的The Lovely Bones,Scoresese的Shutter Island⋯⋯几乎每周都有,真是看得眼花撩乱。
冬季的片表排出来,令人期待的更多。Coen兄弟的新片A Serious Man,Viggo主演的The Road,一堆大牌男星的The Men Who Stare at Goats,一堆大牌女星的Nine,偶像版的胡二麻斯,Peter Jackson的The Lovely Bones,Scoresese的Shutter Island⋯⋯几乎每周都有,真是看得眼花撩乱。
Violent delights.
Re: 冬季电影
Pedro Amodova 《Broken Embraces》
<Pirate Radio>
前几天在电影院里看到了trailer,很期待这两部。Penelope Cruz在Amodova的手里总是美得流光溢彩的,连电影配乐都一如既往地简约而精致,冬天里视觉上也需要大量的西班牙色彩。
等着看<An Education>的时候,看了一眼Coco Before Chanel的结尾,真是少女励志片儿:上了年纪的Chanel坐在楼梯上,看模特们在身边鱼贯而出,一付千帆过尽的寂寞神色。说实话有点儿失望,不太想去电影院看完全本了。
<An Education>是小制作的片子,全靠演员的演技撑着。女主角非常好,就是面容不像十六岁的少女,岁数太大了。很喜欢整个片子灰蓝色的色调,像雾的颜色。
<Pirate Radio>
前几天在电影院里看到了trailer,很期待这两部。Penelope Cruz在Amodova的手里总是美得流光溢彩的,连电影配乐都一如既往地简约而精致,冬天里视觉上也需要大量的西班牙色彩。
等着看<An Education>的时候,看了一眼Coco Before Chanel的结尾,真是少女励志片儿:上了年纪的Chanel坐在楼梯上,看模特们在身边鱼贯而出,一付千帆过尽的寂寞神色。说实话有点儿失望,不太想去电影院看完全本了。
<An Education>是小制作的片子,全靠演员的演技撑着。女主角非常好,就是面容不像十六岁的少女,岁数太大了。很喜欢整个片子灰蓝色的色调,像雾的颜色。
Re: 冬季电影
阿莫多瓦的所有女主角,都是一个女主角,她们的故事也都是一个故事啊!(literally...)Jun wrote:我也看见了 Broken Embraces 的广告片儿。很奇怪,Almodovar 的片儿我是看完就记不清里面发生了什么事儿。虽然总是插个挺小报的段落什么的,但事后一般只记得人物:打扮成女人的穿黑衣裙的高个子年轻男人,火辣辣的独力拖走尸体的单身妈妈,有漂亮老婆的半身不遂男人,看皮纳包殊舞蹈而相遇的二男,自私和破坏哥哥幸福的弟弟,如此等等,至于他们干了什么,经历了什么,却没有印象。
昨日重看volver,今日又借来flower of my secret,作接力状。感想之一:almodovar也有“瓦女郎”。先是marisa paredes,然后penélope cruz。好比巩利来过章子怡⋯⋯
里头有一段。爱情小说作家Leo跟她的出版商聊天,出版商不解Leo为何转变文风:
No, I mean, why change if sales are good? Leo, sweetie, you forget our collection is called “True Love”. A novel about a mother who discovers her daughter’s killed her father who had tried to rape her. And so no one finds out… hides the body in the cold-storage room of a neighbor’s restaurant?
Ding,可不就是volver的故事!Foms拍于1995年,volver则是2006——也许是10年后临时起意、借题发挥,也许是10年前,预先便打好了一段腹稿?
Violent delights.
Re: 冬季电影
至少瓦女郎们不必跟导演睡觉即可提供灵感。simonsun wrote: 感想之一:almodovar也有“瓦女郎”。先是marisa paredes,然后penélope cruz。好比巩利来过章子怡⋯⋯
我觉得他电影儿里那些人物就是他的街坊们,从小到大,大院儿里的男男女女,周围的亲朋好友,以及大家叽叽咕咕流传的家长里短,总之跟街头小报那种 community news 差不多。让我想起小时候跟外婆坐在弄堂里乘凉,听一干老婆婆 breathlessly 讲谁家男人打老婆,谁家闹鬼,好精彩。
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Re: 冬季电影
Pirate Radio isn't quite my cup of tea. I am not a big fan of the director, and the story sounds suspiciously like "A care-free American rides in and saves stiff-upper-lipped Brits from themselves" kind of cliche. The trailer looks a bit funny but doesn't click with me.Knowing wrote:nine 终于要出来了。是rob marshall 导演的音乐片!我要看!
还有个Pirate Radio 看上去很逗,有Philip Seymour Hoffman, Bill Nighy,jun 准想看。
There seems to be a rush of recent movies with nostalgia for the 60s. Like Don Draper said, "Nostalgia in Greek means old wound. It's delicate, and potent."
And Phil Hoffman is not trying to sport an English accent.
(I'm waiting for CAVA to see "An Education" and provide a more accurate assessment of Peter Sarsgaard's accent.)
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Re: 冬季电影
最近重新发现了Anthony Minghella,看了他的访谈非常仰慕,真是后知后觉啊。又感叹这么有才华的人去世得太早。Nine是他的编剧,Minghella还导演过Inspector Morse,制作过No.1 Lady's Detective Agency和The Reader。English Patient, The Talented Mr Ripley和Cold Mountain更不用说了。
海盗电台的原名叫The Boat that Rocked,我已经先睹过了,不错,但比不上Richard Curtis从前的四婚一葬和真爱至上。
海盗电台的原名叫The Boat that Rocked,我已经先睹过了,不错,但比不上Richard Curtis从前的四婚一葬和真爱至上。
Re: 冬季电影
Thank you.CAVA wrote:为着Jun的缘故去瞄了一眼An Education的预告片,Peter Sarsgaard的发音不错,好过Renée Zellweger的Bridget Jones。Sarsgaard有足够的charming耶。
He is very "oily" in this movie and at a few places bordering on
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Re: 冬季电影
The twin were his brothers biological children. His brother went to prison before the twin were born. his brother's gf, the mother of the twins, dumped the babies in front of his monther, the grandma's doorstep. so he adopted those kids.
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mirrorflower
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- Joined: 2008-11-04 17:26
Re: 冬季电影
broken embraces?simonsun wrote:almodovar的片子扭腰有放了。
刚陪人理发的时候看到time上写了一篇。
"A wealth of information creates a poverty of attention."
Re: 冬季电影
看完了an education, 回家第一件事就是八卦的查了自传作者lynn barber 的生平。上大学时伊颇随便乱睡了两年,毕业后给《阁楼》杂志写了七年,嫁了个艺术家,回家生了俩娃,又出来工作,写过几本书,好像是个名记者,嗯,生活的很丰富多彩嘛,我替她高兴。
这电影挺好看的,着重刻画少女时代那种焦虑:一切都需要从书本上诗歌里间接的幻想,真正的生活等啊等怎么还没开始?好不容易突然天上掉下个成年人带着大开眼界,兴奋的要命。peter Sarsgaard 的角色还挺真实的,对少女不是真爱也是情难自控,好比小偷见了值钱东西没人看着就忍不住下手。少女父母对她那么放任粗看奇怪,仔细想并不是,他们都是老实勤恳的中下产阶级,没见市面,peter Sarsgaard 这种老油子哄他们真不比骗少女困难多少。

这电影挺好看的,着重刻画少女时代那种焦虑:一切都需要从书本上诗歌里间接的幻想,真正的生活等啊等怎么还没开始?好不容易突然天上掉下个成年人带着大开眼界,兴奋的要命。peter Sarsgaard 的角色还挺真实的,对少女不是真爱也是情难自控,好比小偷见了值钱东西没人看着就忍不住下手。少女父母对她那么放任粗看奇怪,仔细想并不是,他们都是老实勤恳的中下产阶级,没见市面,peter Sarsgaard 这种老油子哄他们真不比骗少女困难多少。

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Re: 冬季电影
我迅速的把an education 的摘要扫了一遍,非常幻灭的说,原著自传写的完全不好看,电影脱胎换骨,添了好多丰富的色彩,浪漫美妙多了。
http://www.guardian.co.uk/culture/2009/ ... ationships
http://www.guardian.co.uk/culture/2009/ ... ationships
What did I get from Simon? An education - the thing my parents always wanted me to have. I learned a lot in my two years with Simon. I learned about expensive restaurants and luxury hotels and foreign travel, I learned about antiques and Bergman films and classical music. All this was useful when I went to Oxford - I could read a menu, I could recognise a fingerbowl, I could follow an opera, I was not a complete hick. But actually there was a much bigger bonus than that. My experience with Simon entirely cured my craving for sophistication. By the time I got to Oxford, I wanted nothing more than to meet kind, decent, straightforward boys my own age, no matter if they were gauche or virgins. I would marry one eventually and stay married all my life and for that, I suppose, I have Simon to thank.
But there were other lessons Simon taught me that I regret learning. I learned not to trust people; I learned not to believe what they say but to watch what they do; I learned to suspect that anyone and everyone is capable of "living a lie". I came to believe that other people - even when you think you know them well - are ultimately unknowable. Learning all this was a good basis for my subsequent career as an interviewer, but not, I think, for life. It made me too wary, too cautious, too ungiving. I was damaged by my education.
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